If be bumping up to 1/1000 to get the splashes, but open up a wider aperture to really emphasise on them with some exaggerated depth of field. 400mm, get a real distant look about it to enhance the isolation and helplessness.
As long as ive got my tripod with me, I’d go far, far slower, clamp down that aperture, get real low on the i so, and go long exposure, up to 4/5 seconds depending on how bright it is out.
Silky smooth water as it flows, and a delightful blurry trail that disappears below the water.
Action scenes like that it’s best to keep under 1/200 sec so you can capture their expression.
While yelling at them to hold still
Or stop resisting
“Stop resisting!”
If be bumping up to 1/1000 to get the splashes, but open up a wider aperture to really emphasise on them with some exaggerated depth of field. 400mm, get a real distant look about it to enhance the isolation and helplessness.
I mean, if you can capture the water droplets in the sunlight, it could be really beautiful. OTOH, bokeh. 50/50
Hahaha, the mist from their thrashing making a rainbow…
As long as ive got my tripod with me, I’d go far, far slower, clamp down that aperture, get real low on the i so, and go long exposure, up to 4/5 seconds depending on how bright it is out.
Silky smooth water as it flows, and a delightful blurry trail that disappears below the water.