Cowbee [he/they]

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Marxist-Leninist ☭

Interested in Marxism-Leninism, but don’t know where to start? Check out my Read Theory, Darn it! introductory reading list!

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Cake day: August 10th, 2025

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  • That tension between proletarianization and the dreams of being one of the “greats” is the basis of the modern desparation of the artisinal worker. I do think that in socialism, at least higher stages of socislism, artists would return to being “happy” as a subsection of the proletariat. George Lucas expressed jealousy over soviet filmmakers and their freedom from the profit motive, after all.


  • In modern, capitalist society, there are proletarianized writers, ie contracted writers paid piece-wages or even hourly wages, and there are the petite-bourgeois writers that generally work with a publisher, or even self-publish. These do near identical labor, but the class character is different, and it manifests in the ability for the rare petite-bourgeois writer to pull a J. K. Rowling and strike it big, to use an example.

    The artisan that owns their own labor and means of production holds a precarious position, the vast majority are being proletarianized or live worse lives than the higher paid proletarian occupations. However, their class character often gives them a highly individualist outlook, believing themselves deserving of a privledged position in society next to the big names like Stephen King.

    The median artist doesn’t live such a life, they struggle to live off of their skills and are forced into proletarian occupations. This tension and desparation is the basis of reaction for the artisan. It isn’t a moral judgement, artists aren’t the enemy. This is just the naked consequence of art as a commodity, and artistry typically taking a high amount of training but a low price amount of outlay in materials and tools compared to other fields to produce art.


  • Artisans that own their own means of production and produce at their own behest, but must perform this labor themselves, are petite-bourgeoisie. They are not bourgeoisie proper, but they live by their own labor and means of production. They are constantly at risk of proletarianization, because they generally can’t compete with the bourgeoisie proper, but they as a class are generally more assured than the proletariat. Obviously edge-cases exist, but as a class this is generally true.

    This petite-bourgeois relation is why as a profession it is more common to become mega-wealthy than, say, the upper-paid skilled proletarians like doctors or engineers, even if those skilled proletarians have it better on average. Sanderson, George R. R. Martin, J. K. Rowling, etc. all made their vast wealth from royalties, because they own the IP they created. It isn’t a proletarian wage that they recieve, they have a different class character than proletarians.

    Now, the merits/demerits of AI is a different question, but if your only objection is to the correct identification of artisans as petite-bourgeoisie then that should settle that critique.